Said Afifi (Morocco) | Nirveda Alleck (Mauritius) | Jude Anogwih (Nigeria) | Younes Baba-Ali (Morocco) | Rehema Chachage (Tanzania) | Saidou Dicko (Burkina Faso) | Ndoye Douts (Senegal) | Kokou Ekouagou (Togo) | Mohamed El Baz (Morocco) | Samba Fall (Senegal) | Dimitri Fagbohoun (Benin) | Wanja Kimani (Kenya) | Nicene Kossentini (Tunisia) | Kai Lossgott (South Africa) | Michele Magema (D. Congo) | Nathalie Mba Bikoro (Gabon) | Victor Mutelekesha (Zambia) | Johan Thom (South Africa) | Saliou Traoré (Burkina Faso) | Guy Woueté (Cameroon) | Ezra Wube (Ethiopia).
Project [SFIP] is a multinational exhibition process and a platform for critical thinking, researching and presenting African video art.
The techno-cultural revolution has democratised cultural and artistic practice through everyday access to new media. At the same time, the pervasive presence of technology in our lives has raised questions around privacy, surveillance and ownership, the dominance of Western media in globalisation, as well as the privilege of access in the developed world. The [SFIP] network is dedicated to the diffusion of new experiences worldwide through film and video. It is unfortunate that contemporary African art remains largely associated with sculpture and painting. Much work remains to be done in adequately researching the creative energy of the continent, especially within the last decade.
This exhibition presents a selection of African video art that stands beyond the clichés that remain associated with the dark continent and the postcolonial image. It seeks to bring viewers closer to idiosyncratic readings of African video art and its thematic concerns, which are largely ignored. Still Fighting Ignorance & Intellectual Perfidy contextualises African video art within a larger cultural framework.
Reflecting an age of intercultural migration, [SFIP] presents African video artists who live in Africa, Europe and the USA, whilst providing a meeting point for knowledge and interest in the relationship between self and society. Most works address issues of alterity, identity, tolerance and social relationships as artists reflexively consider their sense of place and belonging in an increasingly interconnected world.
From experimental video to short film, this show focuses on aesthetic and methodological perspectives of fighting ignorance and intellectual perfidy in contemporary African art. The project tells Africa's story by African new media artists as seen through the lens of the relation between tradition and modernity.
The programme was previously presented at Malmö Konsthall, Malmö, Sweden; Pori Art Museum, Pori, Finland; Torrance Art Museum, California, USA; National Centre for Contemporary Arts, Moscow; Motorenhalle Centre for Contemporary Art, Dresden, Germany and Lucca Museum, Lucca, Italy.
About the curator:
Kisito Assangni is a Togolese-French curator and producer who studied photography and museology. Currently living between London, Paris and Lomé, his practice primarily focuses on psycho-geography and post-globalisation impact on contemporary African cultures.
His projects have been shown internationally, including the Whitechapel Gallery, Institute of Contemporary Arts, London; Arnot Art Museum, New York; Museum of Contemporary Art, Sydney; National Museum for Contemporary Art, Seoul; TEA Museum — Tenerife Espacio de las Artes, Spain among others.
Kisito has participated in symposia, talks and events at numerous international venues.
He was also a member of the jury for the Award LETTERS FROM THE SKY in Cape Town (South Africa) as well as the 28th Prix VIDEOFORMES in Clermont-Ferrand (France). Kisito is the founder/curator of TIME IS LOVE SCREENING — international video art program and [SFIP] project.